Cast your mind 
back almost 60 years to Milwaukee, Wisconsin, in 1959.
Richie Cunningham 
and his friends are about to graduate from High School – and there’s the little 
matter of getting his love life on a firm footing too!
Solid 
performances from the boys’ new harmony group The Dial-Tones, along with duets 
from Marion and Joanie (Cheryl Baker and Emma Harrold) were among the first act 
highlights, as we learn in a straightforward plotline that Arnold’s Diner is 
under threat from developers. 
A fundraiser with 
the Fonz (Emmerdale’s Ben Freeman) as the star turn would bring in some money 
for a fighting fund. Alas, as the curtain falls on Act I, Fonzie has ridden off 
into the night to escape his responsibilities – which include former squeeze 
Pinky Tuscado, played by former Sugababe Heidi Range.
Great care had 
been taken with some superb scenery, clever scene changes and neat changes of 
pace - such as the Leopard Lodge scene, where Howard’s (James Paterson’s) comic 
secret society does its work – move the story along.
Deft little 
touches like Howard Cunningham’s cardigan and Big Al’s white hat for the diner 
brings the characters from the TV show to life in this brand new musical, 
enjoying only its second week for its stint in Nottingham.
But there was a 
nagging feeling at the interval that something was required to lift the show. 
The orchestra was a little too panto-esque to be big band, and with a little too 
much grimacing from Fonzie, no single character having the presence required to 
take over the stage - and the lack of a show-stopping number - we were ready for 
the party to start in Act II.
And yes, the 
musical numbers after the interval were bigger and more accomplished, the show 
had finally made its mind up to take things less seriously and the actors were 
hamming things up as they should. We saw Cheryl’s fine pair of pins, shared some 
‘in’-jokes and enjoyed the creative theatre that brought the fundraiser to its 
inevitable conclusion. 
There are over 20 
new songs to enjoy – and therein may be exactly what’s holding the audience 
back; I’m not sure there’s a chart-topper in this musical.
But if you can 
free your mind of the 70s television show – and what the “real” Fonz looks and 
sounds like – and throw yourself into the 50s, you could get along and be able 
to say you were in at the start of something new.
